Niaz Uddin
I'm a Los Angeles based creative director, commercial advertising photographer, filmmaker, and FAA-certified drone pilot, and the founder of Narrative Form. As @neohumanity, I've grown a global community of more than 290,000, helping the brands I work with reach further. Over the past decade I've created cinematic campaigns for some of the world's most iconic brands, including McLaren, SpaceX, Bentley, Amazon Studios, Lexus, Four Seasons, Honda, and Marriott.
My work lives where artistry meets engineering, from full-scale productions and FPV aerial shoots to advanced post-production, hands-on with every light and every lens. Recent highlights include a holiday commercial for McLaren and a campaign for Visit Palm Springs, and my work has been featured in Time, The New York Post, BuzzFeed, and Apple News. I'm based in Los Angeles and available for commissions worldwide.
By the Numbers
SYD · LDN
What I offer
Photography
Editorial and commercial stills, studio to location.
Film & Motion
Brand films, reels, and social-first motion.
Aerial
FAA Part 107 licensed drone and time-lapse capture.
Social Media Campaign
Branded content and campaigns across my channels.
Selected work
Let's turn attention
into results.
Content that reaches millions and drives real impact, worldwide. Tell me what you're working on.
Real campaigns, real numbers
Discover Los Angeles
When Los Angeles wants to be seen, its official tourism board calls me. I capture moments of the city no one else catches, and together we put them in front of millions around the world.
POPFLEX
POPFLEX handed me their Neon Garden collection and one studio day. Four sets, four models, hair and makeup, twenty styles, and a launch that ran on those photographs from their homepage to every product page.
McLaren
McLaren came to me for a holiday commercial and left the story open. I pitched a ballerina, an Artura Spider, and a Christmas that moves across Los Angeles. They released the film on their own channel, then pushed it to hundreds of media outlets worldwide.
